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    <title xml:lang="en">borderline academy</title>
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  <item rdf:about="FI6BZZRKIS6V7TZF7WLADBGLQ5F4M3AH"><title >Gesteuerte Demokratie?</title>
<description >Der Film ist im Rahmen einer Diplomarbeit an der Hochschule für Gestaltung, Offenbach am Main entstanden. Untersucht wird die Informations- und Medienarbeit der Bundeswehr. Ausgehend vom “sicherheitspolitischen Paradigmenwechsel” am Ende des kalten Krieges werden Kontinuitäten und Wechsel in diesem Bereich betrachtet. 

Anhand von Zeitzeugeninterviews mit Soldaten aus Einheiten für “Psychologische Kampfführung” (PSK) bzw. “Psychologische Verteidigung” (PSV) wird deren vornehmlich gegen die DDR gerichtete Propaganda- und Zersetzungstätigkeit beschrieben. Der Apparat der PSK bzw. PSV wurde einhergehend mit einer Skandalisierung seiner verdeckt ausgeführten Ausforschungs- und Einwirkungstätigkeit im bundesdeutschen Inland zum Ende der 80er Jahre aufgelöst. Über eine sogenannte “Studiengesellschaft für Zeitprobleme e.V.” waren getarnte Propagandaprodukte der Bundeswehr an vermeintlich wehrkritische Zielgruppen in der BRD lanciert worden.

Aus der in Waldbröl angesiedelten “Akademie für Psychologische Verteidigung” wird 1990 die “Akademie für Information- und Kommunikation der Bundeswehr” (AIK). Spezialisten der PSV übernehmen die leitenden Positionen der neuen Dienststelle, die dem Presse- und Informationsstab des Verteidigungsministeriums zugeordnet wird. Sie untersteht direkt dem zeitgleich im PR-/ Infostab neu gegründeten “Grundsatzreferat” und dient als “Thinktank” für die Öffentlichkeitsarbeit im Inland. Wie der Film belegt, werden wesentliche Tätigkeiten der PSV-Akademie fortgeführt, allerdings mit neu formuliertem Auftrag und mit neuen Zielsetzungen. Das Führungspersonal der 1994 nach Strausberg bei Berlin verlegten AIK gibt im Film ausführlich Auskunft über Auftrag und Tätigkeiten der Akademie. 

Eine wesentliche Aufgabe bestand nach der Wende in der Grundlagenbeschaffung zur sicherheitspolitischen “Umorientierung” der ehemaligen DDR-Bevölkerung. Neben der Ausbildung von Fachpersonal der Presse- und Informationsarbeit wird auch heute im Rahmen von Seminaren ein “sicherheitspolitischer Dialog” mit “interessierten Bürgern” geführt. Dabei handelt es sich vornehmlich um sogenannte Multiplikatoren wie Journalisten; Richter, Staatsanwälte und Polizisten werden zu Seminaren über die “Vernetzung von innerer und aüßerer Sicherheit” eingeladen. Um weitere Bevölkerungskreise zu erreichen, arbeitet man in Strausberg mit Wissenschaftlern, Universitätsdozenten und Lehrern zusammen.
 
Neben der AIK ist aus der “Psychologischen Verteidigung” auch die “Truppe für Operative Information” (OpInfo) hervorgegangen. Bezeichnenderweise trägt sie im NATO-Sprachgebrauch weiterhin die Bezeichnung “Psychological Operations” (PSYOPS). Die bundesdeutschen PSYOPS-Truppen sind heute in Mayen stationiert. Dem dortigen Zentrum Operative Information (ZOpInfo) ist ein zusätzliches “Einsatzbataillon” in Koblenz unterstellt. Soldaten der OpInfo werden seit 1993/94 im Rahmen von bewaffneten Auslandsoperationen der Bundeswehr eingesetzt und wirken mit propagandistischen Mitteln auf Zielgruppen im Einsatzgebiet ein.

Im Film wird hauptsächlich die Tätigkeit des ZOpInfo im Dezernat “Video” dargestellt. Die OpInfo verfügt über weitere Kapazitäten in den Bereichen “Print”, “Radio”, “Neue Medien” “Lautsprecher” und in der Direktkommunikation. Im ZOpInfo ist auch das “Dezernat Einsatzkamera” (Combat Camera) angesiedelt. Sogenannte Einsatzkamerateams (EKT) dokumentieren weltweit Einsätze der Bundeswehr und erstellen oft schon vor der Ankunft regulärer Truppen Lageberichte für Führungsstab und Einsatzführungskommando der Bundeswehr sowie für das Verteidigungsministerium. “Auch eine Weitergabe an die Medien wäre denkbar, wenn es ein konkretes Interesse gäbe”, hieß es bereits im Mai 2003 in der Publikation Bw Aktuell. Ganz sicher jedoch wird nach entsprechender Freigabe Material der EKTs an den internen Fernsehsender der Bundeswehr, BwTv weitergegeben. Die EKTs können bei Bedarf live aus dem Einsatzgebiet senden.

BwTv wiederum ist Teil des “internen Medienmix” der Bundeswehr und wird verschlüsselt per Satellit ausgestrahlt, da den Streitkräften eine direkte Einflußnahme auf die eigene Bevölkerung gesetzlich verboten ist. Das Studio von BwTv ist im Hause der Informations- und Medienzentrale (IMZBw) der Bundeswehr in St. Augustin bei Bonn untergebracht. Hier wird neben der Koordinierung der Mitarbeiterkommunikation auch der Öffentlichkeitsarbeit zugearbeitet; die IMZBw verwaltet das Bildarchiv der Bundeswehr und beherbergt Onlineredaktionen für verschiedene Webseiten der Bundeswehr.

BwTv wurde 2002 mit Hilfe der PR-Agentur Atkon AG aufgebaut. Wie die Recherchen zum Film ergaben, wurde eine 100% Tochterfirma der Atkon AG, die Atkon TV Service GmbH damit beauftragt, sendefertige Fernsehbeiträge an private und öffentlich-rechtliche Fernsehanstalten abzugeben. Beiträge aus Material von Bundeswehr TV werden dazu über die Internetseite www.tvservicebox.de angeboten und können dann in Sendequalität bestellt werden. Die Filme bestehen aus ungekennzeichnetem Material – ein Verweis auf die Quelle wird der abnehmenden Redaktion überlassen. Völlig unklar bleibt für den unbedarften Betrachter, ob nicht auch Videomaterial der EKTs via BwTv in die Beiträge gelangt.

Die Informations- und Medienzentrale besteht darauf, dass durch dieses Vorgehen keinesfalls gegen das Verbot eines Staatsfernsehens verstoßen würde. Vielmehr könnten die Journalisten die Beiträge redaktionell bearbeiten. Gemeint ist damit vor allem, dass die Beiträge auf die entsprechenden Magazinformate zugeschnitten werden dürfen. Wie die Geschäftsbedingungen der Servicebox zeigen, ist eine “inhaltliche Sinn- und Zweckentfremdung” ausdrücklich untersagt. Atkon TV Service verfügt über ein Netzwerk von Journalisten, die im Auftrag der Bundeswehr mit Themenvorschlägen, Kontakten und Material beliefert werden (“Media Relations”)

Erst kürzlich hat das Verteidigungsministerium ein Besuchsverbot u. A. für Journalisten und Parlamentarier beim Afghanistan-Kontingent erlassen. Desweiteren werden Informationen über Anschläge auf das Kontingent nur noch auf direkte Anfrage der Presse herausgegeben. Einer freien Berichterstattung über die Bundeswehr und ihre Einsätze soll mit den dargestellten Beeinflussungs- und Zensurmaßnahmen augenscheinlich das Wasser abgegraben werden. Offenbar fürchten Ministerium und militärische Führung, die von der AIK als “konditional” bewertete Zustimmung der Bevölkerung zum Auftrag der Bundeswehr im Falle von Berichten über Verluste oder intensive Kampfhandlungen rasch zu verlieren. 


Länge: 62´14 min
Entstehungsjahr: 2006 (Dreh Mai-Juni)
Drehformat: DVC Pro 25/ MiniDV, 4:3

Onlineformat: OggTheora (384x288) 182,7 MB
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Mitwirkende:

Oberst i.G. Thomas Beier – Kommandeur Informations- und Medienzentrale der Bundeswehr (St. Augustin)

Oberleutnant Martin Besinger – Redakteuroffizier Einsatz Kamera Trupp (EKT), Zentrum Operative Information (Mayen)

Oberstleutnant Reinhard Busch – Leiter Bundeswehr TV, Informations- und Medienzentrale der Bundeswehr (St. Augustin)

Oberstleutnant Hartmut Dressel – Leiter Zielgruppenanalyse Zentrum Operative Information (Mayen), ehem. Soldat im PSV-Bataillon Clausthal-Zellerfeld

Claudia Haydt – Soziologin und Religionswissenschaftlerin, Informationsstelle Militarisierung (IMI) www.imi-online.de

Dipl. Psych. Dr. Hans-Victor Hoffmann – Wiss. Direktor FB Kommunikation der Akademie für Information und Kommunikation der Bundeswehr (Strausberg)

Oberstleutnant Michael Kötting – Leiter Bereich Lehre der Akademie für Information und Kommunikation der Bundeswehr (Strausberg)

Oberst i.G. Horst Matzeit – 1988 Kommandeur der Akademie für Psychologische Verteidigung (Waldbröl) 
(Archivmaterial)

Dr. Alfred Mechtersheimer – ehem. Ausbildungsoffizier an der Schule für Psychologische Kampfführung (Schloß Alfter bei Bonn), dann u.A. MdB (Die Grünen) und Gründer der rechtsextremen Deutschland-Bewegung 
(Archivmaterial)

Thomas Mielke – Schriftsteller und Werbefachmann (Berlin), ehem. Soldat der Psychologischen Kampfführung 

Hauptfeldwebel Stephan Schwaldat – Kameramann EKT, ZOpInfo Bw (Mayen)

Oberst Rainer Senger – seit 11/2002 Kommandeur der Akademie für Information und Kommunikation der Bundeswehr (Strausberg)

Dr. Olaf Theiler – Leiter FB Information der Akademie für Information und Kommunikation der Bundeswehr (Strausberg)




weitere Stichworte: Dr. Eberhard Taubert, Dr. Werner Marx, Franz Josef Strauss, Helmut Kamphausen, Jörg Lolland, Ortwin Buchbender, Horst Schuh, Briefzensur, Zoll- und Devisenverbringungsstelle Hannover, Organisation Gehlen, Bundesnachrichtendienst, Prof. Renate Riemeck, Deutsche Friedensunion, Friedensbewegung, Ostermärsche, Impuls TV, Münchner Sicherheitskonferenz 2006, SIKO</description>
<dcterms:alternative >ein Dokumentarfilm von Steven Hutchings</dcterms:alternative>
<dc:date >2006-09-09T19:30+00:00</dc:date>
<dc:language >de</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >Steven Hutchings</v2v:maker>
<v2v:makeremail >s.hutchings@web.de</v2v:makeremail>
<v2v:makerurl >http://</v2v:makerurl>
<dcterms:extent >191644903</dcterms:extent>
<dcterms:temporal >01:01:54</dcterms:temporal>
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<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="LI644FBUC72TXVBBI456JVSI42QJPZVU"><title >Steal this Film</title>
<description >In 2006, a group of friends decided to make a film about filesharing that *we* would recognise. There have been a few documentaries by &#039;old media&#039; crews who don&#039;t understand the net and see peer-to-peer organisation as a threat to their livelihoods. They have no reason to represent the filesharing movement positively, and no capacity to represent it lucidly. We wanted to make a film that would explore this huge popular movement in a way that excited us, engaged us, and most importantly, focussed on what we know to be the positive and optimistic vision many filesharers and artists (they are often one) have for the future of creativity.
Hopefully you&#039;ll enjoy the first part of Steal this Film (&#039;stockholm, summer 2006&#039;). It achieves some, but by no means all, of our goals. To continue we need your help. this film is free for you to share, watch on your dvd player or on your ipod, or show in cinemas. But if you like the work we&#039;ve done and want us to carry on, use our donate link to send us a couple of dollars or euros.
We will start making the second part straight away, and release it on this site and on major bittorrent trackers, when it&#039;s done. Each part, we estimate, will take about 2 months to complete. the plan for the second part is on our wiki. Feel free to add suggestions.
The league of noble peers. august 2006 - à nous la liberté!</description>
<dcterms:alternative >stockholm, summer 2006</dcterms:alternative>
<dc:date >2006-08-24T10:28+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >The league of noble peers</v2v:maker>
<v2v:makeremail >peers@stealthisfilm.com</v2v:makeremail>
<v2v:makerurl >http://stealthisfilm.com</v2v:makerurl>
<dcterms:extent >106822415</dcterms:extent>
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    Attribution-ShareAlike 2.5 License.
    To view a copy of this license, visit 
    http://creativecommons.org/licenses/by-sa/2.5/
    or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="APPKBVFRYDLPHOFDMBNNJQ5CJ2Z6QKNO"><title >dead time</title>
<description >Fire comes to us
from the sky and the sea

Here we are, 24 years later,
again besieged by the same enemy

History, however, does not repeat itself,
it perpetuates itself

The foreigners are leaving
(many among them are Lebanese
who enjoy a double nationality)

Who witnesses for the witness?
asked Paul Celan in another time

Disaster takes care of everything

I wanted to raise my left fist,
but in the meantime I lost my sense of humour

Oh cities that have never been invaded
Have you no nostalgia for the enemy?</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-08-10T17:48+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >ghassan salhab, beirut dc</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://beirutletters.org/</v2v:makerurl>
<dcterms:extent >9406083</dcterms:extent>
<dcterms:temporal >00:06:46</dcterms:temporal>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_beirutletters_dead_time.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons 
    Attribution-ShareAlike 2.5 License.
    To view a copy of this license, visit 
    http://creativecommons.org/licenses/by-sa/2.5/
    or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="AEA6CG2YWS4WH45QGCDGS36VTSNRZRET"><title >Lindmann/Scholz/Brenk: Drei Lecture Performances</title>
<description >Lecture Performance by LInda Lindheimer, Malte Scholz and Tobias Brenk, April 6th, 2006, in Frankfurt/Main. Part of the ongoing programme &quot;Performing Lectures&quot; by Unfriendly Takeover.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-08-05T12:23+00:00</dc:date>
<dc:language >de</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >Unfriendly Takeover</v2v:maker>
<v2v:makeremail >info@unfriendly-takeover.de</v2v:makeremail>
<v2v:makerurl >http://www.unfriendly-takeover.de</v2v:makerurl>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_ut_3lectures.torrent</v2v:link>
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    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="TTIGGJG6AGKD7LGE7DMKOSJ34AXIROPS"><title >Vera Knolle: &quot;I didn&#039;t mean to hurt you&quot;</title>
<description >Lecture Performance by Vera Knolle, January 5th, 2006, in Frankfurt/Main. Part of the ongoing programme &quot;Performing Lectures&quot; by Unfriendly Takeover.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-08-04T17:23+00:00</dc:date>
<dc:language >de</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >Unfriendly Takeover</v2v:maker>
<v2v:makeremail >info@unfriendly-takeover.de</v2v:makeremail>
<v2v:makerurl >http://www.unfriendly-takeover.de</v2v:makerurl>
<dcterms:extent >31008892</dcterms:extent>
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<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="ZI4QMBUNLVZVTZXGXWBXMXND76H32VHL"><title >From Beirut to .. those who love us</title>
<description >Letters from Beirut to the World

Subtitles in English and French</description>
<dcterms:alternative >Date: July 21, 2006</dcterms:alternative>
<dc:date >2006-08-01T10:07+00:00</dc:date>
<dc:language >ar</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >Beirut DC, Samidoun, Various</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://www.beirutletters.org</v2v:makerurl>
<dcterms:extent >3809047</dcterms:extent>
<dcterms:temporal >00:04:12</dcterms:temporal>
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    Attribution-ShareAlike 2.5 License.
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    http://creativecommons.org/licenses/by-sa/2.5/
    or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="JAPMPM3GJ3FV4AZKPQWCF4UUIU5M5ETX"><title >World War - Klaus Viehmann</title>
<description >Sunday, July 23 2006
Everyone knows that World War II was a global war. However, knowledge of its development and impact on Western Europe is rather limited. At least in the last two centuries knowledge of war crimes has increased. The purpose of today’s lecture is to draw a rough outline of the neglected aspects of this war and to raise some interest in the exploits and suffering of the people who were affected by fascism, “Herrenmenschentum” and aggression, and fought against it.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-25T11:35+00:00</dc:date>
<dc:language >de</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >43761112</dcterms:extent>
<dcterms:temporal >00:30:55</dcterms:temporal>
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    Attribution-ShareAlike 2.5 License.
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    http://creativecommons.org/licenses/by-sa/2.5/
    or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="JXANWYLMBTY72DVZQW6LDIB2KVOHIEED"><title >United Nations - Ariane Müller</title>
<description >Sunday, July 23 2006
Rio, Peking, Kairo, Istanbul, Genf, Kyoto, Habitat, Houairou, Konventionen, Protokolle, Deklarationen</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-25T11:33+00:00</dc:date>
<dc:language >de</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >52309154</dcterms:extent>
<dcterms:temporal >00:21:56</dcterms:temporal>
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<dc:rights >This work is licensed under the Creative Commons 
    Attribution-ShareAlike 2.5 License.
    To view a copy of this license, visit 
    http://creativecommons.org/licenses/by-sa/2.5/
    or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="S3J3TZXVOZWXT3E3J6FB54YZIJM2CEMP"><title >Translation - Tom Keenan</title>
<description >Sunday, July 23 2006
What sort of language is war, if it is one? What would &quot;total&quot; conflict be?  When does escalation become impossible?  When the violence is not exercised to force others into a conversation, or to change the terms of a debate, but in order to end a debate, to remove the other party in a debate once and for all, when debate itself -- or politics, or language -- is itself the target of the violence .... is that the limit?  Is that the moment when things actually can&#039;t get any worse?</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-25T11:32+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >48739349</dcterms:extent>
<dcterms:temporal >00:24:33</dcterms:temporal>
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    Attribution-ShareAlike 2.5 License.
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</item><item rdf:about="UCLD6IWEAMBSCM57H5L24ORUFJTKEMP7"><title >Transition - Erzen Shkololli</title>
<description >Sunday, July 23 2006
Presentation of a works will reflect the dramatic transformation of the region, connected in particular with decay of the local totalitarian regimes during the 1990&#039;s. By representing various forms of ethnic, religious or political predestination and manipulation symbolizing the contrast social situation in his homeland.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-25T11:27+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >20306579</dcterms:extent>
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    Attribution-ShareAlike 2.5 License.
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    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="JZTUEEKVAFQMHSJYC5XYZ7V2RYVSAWSU"><title >Theatres of Possession Operation Systems - Konrad Becker</title>
<description >Sunday, July 23 2006</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-25T11:23+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >80822664</dcterms:extent>
<dcterms:temporal >00:44:02</dcterms:temporal>
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<dc:rights >This work is licensed under the Creative Commons 
    Attribution-ShareAlike 2.5 License.
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</item><item rdf:about="2OJYI22MNUTOAWBLMHOXNK2OGVUO5TEQ"><title >Resistance - Ingrid Strobl</title>
<description >Sunday, July 23 2006
Relativizing the Absolute &quot;Resistance&quot; is among those terms that although seemingly clear-cut, are in reality difficult to define. What is resistance? Who defines what it is? What conditions have to be met so that who identifies or recognizes what to be resistance? And which and whose interests stand behind the label?</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-25T11:22+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >45988490</dcterms:extent>
<dcterms:temporal >00:24:42</dcterms:temporal>
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<dc:rights >This work is licensed under the Creative Commons 
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</item><item rdf:about="H3XAQ44CT6OYBGELMPVQ33BTVVLRMOHT"><title >Redundancy - Marko Peljhan</title>
<description >Sunday, July 23 2006</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-25T11:20+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >23727355</dcterms:extent>
<dcterms:temporal >00:15:51</dcterms:temporal>
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<link >http://borderlineacademy.org/v2v/show/H3XAQ44CT6OYBGELMPVQ33BTVVLRMOHT</link>
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<dc:rights >This work is licensed under the Creative Commons 
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</item><item rdf:about="4UHZYQZ63OUBIA5WQMRA4XZ365AEDV7C"><title >Prisoner of War - Naeem Mohaiemen</title>
<description >Sunday, July 23 2006</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-25T11:00+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >37158360</dcterms:extent>
<dcterms:temporal >00:19:13</dcterms:temporal>
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<link >http://borderlineacademy.org/v2v/show/4UHZYQZ63OUBIA5WQMRA4XZ365AEDV7C</link>
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<dc:rights >This work is licensed under the Creative Commons 
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</item><item rdf:about="YQXHEK2HMSRHXOIZW5WP4RPSEKE4FSC7"><title >Pop Georg Seeßlen - Markus Metz</title>
<description >Sunday, July 23 2006
There is no war without pop, and there is no pop without war.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-25T10:57+00:00</dc:date>
<dc:language >de</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >74214299</dcterms:extent>
<dcterms:temporal >00:38:34</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/YQXHEK2HMSRHXOIZW5WP4RPSEKE4FSC7</link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Pop_Georg_Seesslen_Markus_Metz.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons 
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</item><item rdf:about="G3UC3XHXJGZA3JKP6AMFOUR5DWOKRUEO"><title >Police War - Katja Diefenbach</title>
<description >Sunday, July 23 2006
We are currently entering a hegemonic war regime dominated by strategies of preventive intervention and crisis management, and therefore subject to the logic of the police. Elements of private enterprise war, of low-intensity warfare, of counter insurgency, of biopolitical administration, and of the police state of emergency are combined and legitimated as humanitarian mission, civilian-military cooperation, or just war. This war regime follows a calculation of control and security.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-25T10:56+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >63911994</dcterms:extent>
<dcterms:temporal >00:29:10</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/G3UC3XHXJGZA3JKP6AMFOUR5DWOKRUEO</link>
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<dc:rights >This work is licensed under the Creative Commons 
    Attribution-ShareAlike 2.5 License.
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</item><item rdf:about="CEJUXRZ2YU5MEHVIXHE6B5EMR5S56BXJ"><title >Peace-for-War - Brian Holmes</title>
<description >Sunday, July 23 2006
The concept I&#039;m going to present  draws directly from the work of Shimshon
Bichler and Jonathan Nitzan.  It describes the economic phases of &quot;depth&quot;
and &quot;breadth,&quot; and correlates them with the first- and second-order
cybernetics of control. It attempts to situate the functions of
cultural-communicational labor within these economic phases. It questions
those autonomists who thought it would be possible to transform a broadly
expansionary phase of capitalism, like that of the nineties, into a
qualitatively different society. It’s not a polemic, but seeks to open up a
field of strategic debate. It doesn&#039;t assert a future, but observes
the unfolding of the present into the depths of violence, which has robbed
resistance movements of their potential, again. The concept is Peace-for-War.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-25T10:39+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >82024545</dcterms:extent>
<dcterms:temporal >00:37:33</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Peace_for_War_Brian_Holmes.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons 
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</item><item rdf:about="W345YL57W3NTMRFYTZ4SFBN7RQW7FHCO"><title >National Anthem - Julieta Aranda</title>
<description >Sunday, July 23 2006</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-25T10:09+00:00</dc:date>
<dc:language >de</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >35514025</dcterms:extent>
<dcterms:temporal >00:16:59</dcterms:temporal>
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<link >http://borderlineacademy.org/v2v/show/W345YL57W3NTMRFYTZ4SFBN7RQW7FHCO</link>
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<dc:rights >This work is licensed under the Creative Commons 
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</item><item rdf:about="EVPLUT5KNOKTAKHEYU5WBK4EAVTJFDBR"><title >Mobilization - Akram Zaatari</title>
<description >Sunday, July 23 2006</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-25T09:25+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >56233769</dcterms:extent>
<dcterms:temporal >00:30:04</dcterms:temporal>
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<dc:rights >This work is licensed under the Creative Commons 
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</item><item rdf:about="WR47MR3FOFVN327BNUKDBTVTKAYUVL2R"><title >Liberation - Ivan Kucina</title>
<description >Saturday, July 22 2006</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-25T00:45+00:00</dc:date>
<dc:language >de</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >65864462</dcterms:extent>
<dcterms:temporal >00:27:08</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/WR47MR3FOFVN327BNUKDBTVTKAYUVL2R</link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Liberation_Ivan_Kucina.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons 
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</item><item rdf:about="EOHV6DKAHAI2CVVN25HT6GOUFDX3E5CE"><title >/join #beirut - Mansur Jacoubi</title>
<description >Saturday, July 22 2006</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-24T20:31+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >62485902</dcterms:extent>
<dcterms:temporal >00:39:29</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/EOHV6DKAHAI2CVVN25HT6GOUFDX3E5CE</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_join_beirut_Mansur_Jacoubi.ogg|62485902|01073652c4226e3dc9aa7f58aaf3802e|</v2v:link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_join_beirut_Mansur_Jacoubi.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons 
    Attribution-ShareAlike 2.5 License.
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</item><item rdf:about="ECXQW7OKLOVHO3HEU4COXKLA5OMKZ3VX"><title >Discipline - Ulrich Broeckling</title>
<description >Saturday, July 22 2006
disciplining in order to fight is &quot;hot&quot; - it mobilizes, transgresses and fuels the passions. Disciplining in order to effectively use force is &quot;cold&quot; - it controls, regularizes, and curbs the affects. The mix ratio is changing and the history of military disciplining can be described as a change between rather &quot;hot&quot; and rather &quot;cold&quot; epochs.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-24T20:09+00:00</dc:date>
<dc:language >de</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >44848699</dcterms:extent>
<dcterms:temporal >00:24:09</dcterms:temporal>
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<link >http://borderlineacademy.org/v2v/show/ECXQW7OKLOVHO3HEU4COXKLA5OMKZ3VX</link>
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<dc:rights >This work is licensed under the Creative Commons 
    Attribution-ShareAlike 2.5 License.
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</item><item rdf:about="OLEFGL4RVVAII6LZKT443EIJ2L566MJT"><title >Desertion - Avery Gordon</title>
<description >Saturday, July 22 2006</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-24T19:24+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >54726302</dcterms:extent>
<dcterms:temporal >00:24:15</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/OLEFGL4RVVAII6LZKT443EIJ2L566MJT</link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Desertion_Avery_Gordon.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons 
    Attribution-ShareAlike 2.5 License.
    To view a copy of this license, visit 
    http://creativecommons.org/licenses/by-sa/2.5/
    or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="3UVYIFIYDIEH6QDEGQ7FRTGSIGTPDMMS"><title >Defeat, for the - Nora Sternfeld</title>
<description >Saturday, July 22 2006
At 12 o&#039;clock on April 8, 2005, in the Ostarrichi-Park in front of the Landesgericht (the regional court), a temporary monument to the defeat was unveiled that triggered a debate on the process of denazification and made an issue of the fact that this process was still unfinished today. The eight-sided object was conceived as a monumental plinth and it measured 2 meters in height and had a circumference of 11 meters.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-24T18:45+00:00</dc:date>
<dc:language >de</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >56293499</dcterms:extent>
<dcterms:temporal >00:27:17</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/3UVYIFIYDIEH6QDEGQ7FRTGSIGTPDMMS</link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Defeat,_for_the_Nora_Sternfeld.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons 
    Attribution-ShareAlike 2.5 License.
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    http://creativecommons.org/licenses/by-sa/2.5/
    or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="ZRQN2SVZUUUZZ2HDLW5QWZ5DKSKY4B76"><title >Declaration of War - andcompany co.</title>
<description >Saturday, July 22 2006

andcompany &amp; Co. Feat. Alexander Karschnia, Nicola Nord, Sascha Sulimma &amp; Co.

In their lecture performance KRIEGSERKLÄRUNG they will explain and declare war at the same time, talking in stolen words, quotes borrowed from John L. Austin until Vladimir I. Lenin. For supplementary reading please check out the text &quot;Die Kriegserklärung &quot; by Karl Marx http://www.mlwerke.de/me/me10/me10_168.htm</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-24T18:17+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >42079715</dcterms:extent>
<dcterms:temporal >00:18:54</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/ZRQN2SVZUUUZZ2HDLW5QWZ5DKSKY4B76</link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Declaration_of_War_andcompany_co.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons 
    Attribution-ShareAlike 2.5 License.
    To view a copy of this license, visit 
    http://creativecommons.org/licenses/by-sa/2.5/
    or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="UQNDZFVN67G4HXGTNTRSOVWPCV5MECVJ"><title >Camp - Manuel Herz</title>
<description >Saturday, July 22 2006</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-24T17:36+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >56102561</dcterms:extent>
<dcterms:temporal >00:28:31</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/UQNDZFVN67G4HXGTNTRSOVWPCV5MECVJ</link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Camp_Manuel_Herz.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons 
    Attribution-ShareAlike 2.5 License.
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    http://creativecommons.org/licenses/by-sa/2.5/
    or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="CZ3FZA4GEU67A25YR3HE3HMKJDG225DP"><title >Camouflage - Stefan Römer</title>
<description >Saturday, July 22 2006
Der traditionell militärische Begriff der &quot;Camouflage&quot; galt bisher immer als nationale Repräsentation. Zur Camouflage bringe ich einen anderen militärischen Begriff: das Flaggezeigen, das zur Fußball-WM 2006 andere Konnotationen in den neuerdings privatisierten und korporatisierten Öffentlichkeiten erhielt. So gegensätzlich die beiden Methoden in ihrer Intention sind, so scheinen sie als kulturelle Praktiken doch demselben Repräsentationssystem zu dienen. Beide erscheinen in einer einzigen Konstellation, wenn von Piraterie gesprochen wird. Kann dies einen neuen Handlungsraum für nicht repräsentative Praktiken eröffnen?</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-24T17:16+00:00</dc:date>
<dc:language >de</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >41978251</dcterms:extent>
<dcterms:temporal >00:21:50</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/CZ3FZA4GEU67A25YR3HE3HMKJDG225DP</link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Camouflage_Stefan_Roemer.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons 
    Attribution-ShareAlike 2.5 License.
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    http://creativecommons.org/licenses/by-sa/2.5/
    or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="OYQTIK5IWA6VP7LEQFAWEKNOMK7NUAVR"><title >Lone Twin: &quot;Walk with me...&quot;</title>
<description >Lecture Performance by Lone Twin (GB), March 24th 2006 in Frankfurt. Part of the ongoing programme &quot;Performing Lectures&quot; by Unfriendly Takeover.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-23T20:38+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >Unfriendly Takeover</v2v:maker>
<v2v:makeremail >info@unfriendly-takeover.de</v2v:makeremail>
<v2v:makerurl >http://www.unfriendly-takeover.de</v2v:makerurl>
<dcterms:extent >111652375</dcterms:extent>
<dcterms:temporal >01:12:47</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/OYQTIK5IWA6VP7LEQFAWEKNOMK7NUAVR</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_ut_lonetwin.ogg|111652375|b228609544811f71782de5cd4d513fa8|</v2v:link>
<v2v:link type="magnet" >magnet:?dn=v2v_ut_lonetwin.ogg&amp;amp;xt=urn%3Asha1%3AOYQTIK5IWA6VP7LEQFAWEKNOMK7NUAVR</v2v:link>
<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_ut_lonetwin.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="QTIYXP47SHCCF2H53ZUXUWLTIAMGX3N5"><title >Martin Nachbar: &quot;Ausflug&quot;</title>
<description >Lecture Performance by Martin Nachber, February 16rd, 2005, in Frankfurt/Main. Part of the ongoing programme &quot;Performing Lectures&quot; by Unfriendly Takeover.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-23T20:29+00:00</dc:date>
<dc:language >de</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >Unfriendly Takeover</v2v:maker>
<v2v:makeremail >info@unfriendly-takeover.de</v2v:makeremail>
<v2v:makerurl >http://www.unfriendly-takeover.de</v2v:makerurl>
<dcterms:extent >96701068</dcterms:extent>
<dcterms:temporal >00:49:53</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/QTIYXP47SHCCF2H53ZUXUWLTIAMGX3N5</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_ut_nachbar.ogg|96701068|92bf62cee35291d37f2723d737979b5f|</v2v:link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_ut_nachbar.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="SD6KUCOOQXF72TNVAMV7KWVUVWFIEWZS"><title >Amphetamine - Hans-Christian Dany</title>
<description >Saturday, July 22 2006</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-23T19:42+00:00</dc:date>
<dc:language >de</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >46373927</dcterms:extent>
<dcterms:temporal >00:16:15</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/SD6KUCOOQXF72TNVAMV7KWVUVWFIEWZS</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Amphetamine_Hans-Christian_Dany.ogg|46373927|c4c461c9f8592284e3bcfbda4f5d495a|</v2v:link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Amphetamine_Hans-Christian_Dany.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons 
    Attribution-ShareAlike 2.5 License.
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    http://creativecommons.org/licenses/by-sa/2.5/
    or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="ACDR6ZBORDHFTR2TKBJYYPBPTSHECILO"><title >Exergue - Eyal Weizman</title>
<description >Saturday, July 22

Eyal Weizman, israeli architect is going to formulate an &quot;exergue&quot; that will deal with the actual situation and build a connection to the first edition in Frankfurt.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-07-23T13:20+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >122446492</dcterms:extent>
<dcterms:temporal >00:46:10</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/ACDR6ZBORDHFTR2TKBJYYPBPTSHECILO</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Exergue_Eyal_Weizman.ogg|122446492|539024bd8f49ce70cf844afceef983eb|</v2v:link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Exergue_Eyal_Weizman.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons 
    Attribution-ShareAlike 2.5 License.
    To view a copy of this license, visit 
    http://creativecommons.org/licenses/by-sa/2.5/
    or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="XBYDV77URWN422KXMWVTLTLIZR7ZKZKC"><title >The CUT</title>
<description >The Cut (2006) is a circa twenty minute video that condenses two years of research on the history of the John Huston film Freud the Secret Passion. Rather than present a linear history of the film, The Cut attempts to fill the gaps with fictional scenes that question the possibility of representing history and historical figures. 
 Freud the Secret Passion (1961), starring Montgomery Clift, Larry Parks and Susannah York, is a little-known biographical film that presents the discovery of psychoanalysis as a kind of detective story. The screenplay was based on a long, complex scenario written by Jean-Paul Sartre and subsequently rewritten by a series of Hollywood screenwriters. Working through the layers of material left out, erased, forgotten and repressed, another narrative emerges – a narrative that deals with the traces of Freud within the popular imagination, with fiction, memory, and history, and with the unavoidable complexities of translation and communication.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-08T11:24+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >Geoffrey Garrison</v2v:maker>
<v2v:makeremail >geoffrey.garrison@gmail.com</v2v:makeremail>
<v2v:makerurl >http://</v2v:makerurl>
<dcterms:extent >32449123</dcterms:extent>
<dcterms:temporal >00:19:50</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/XBYDV77URWN422KXMWVTLTLIZR7ZKZKC</link>
<v2v:link type="ed2k" >ed2k://|file|letterbox.ogg|32449123|dcc5a7d01891a6ba6eee549384999f3f|</v2v:link>
<v2v:link type="magnet" >magnet:?dn=letterbox.ogg&amp;amp;xt=urn%3Asha1%3AXBYDV77URWN422KXMWVTLTLIZR7ZKZKC</v2v:link>
<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/letterbox.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="4XG3KO5XMJNTYX5I2FYOT2YD3VB4OE3D"><title >Flexibility [Eyal Weizman]</title>
<description >Friday, June 2 19:00 - 19:30</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-06T11:55+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >49846624</dcterms:extent>
<dcterms:temporal >00:36:19</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/4XG3KO5XMJNTYX5I2FYOT2YD3VB4OE3D</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Flexibility_Eyal_Weizman.ogg|49846624|517797fe48d61cc024855a7ad1e1be5b|</v2v:link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Flexibility_Eyal_Weizman.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="YVDG7K6JTMZ5VREXBWJH5WRDANA7LFWP"><title >Weather [Dietmar Dath]</title>
<description >Saturday, June 3 21:30 - 21:50
AND THE RAIN RAINED EVERY DAY.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:40+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >36466155</dcterms:extent>
<dcterms:temporal >00:17:14</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/YVDG7K6JTMZ5VREXBWJH5WRDANA7LFWP</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Weather_Dietmar_Dath.ogg|36466155|af1bde1cd87d8e3738e99c6ca23aa080|</v2v:link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Weather_Dietmar_Dath.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="OUZ5HRVPDACXFRX4NLZLEBLOSCGANUEU"><title >Trip [Anselm Franke]</title>
<description >Saturday, June 3 21:00 - 21:20
Movements in space and movements of the mind: The trip as the mobilisation of empathy, mimesis and sympathetic magic; between depression and delirium. From Joseph Conrad&#039;s outposts to todays checkpoints. From the Gates of Perception to cinematic gestures and sovereign continuity.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:39+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >52355659</dcterms:extent>
<dcterms:temporal >00:21:26</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/OUZ5HRVPDACXFRX4NLZLEBLOSCGANUEU</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Trip_Anselm_Franke.ogg|52355659|19d0e97e97463e06cb7f97d81ca73e89|</v2v:link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Trip_Anselm_Franke.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="BQRFQZDVUV7FLP5BAICDPQTOSJZYGKLJ"><title >Transfer [Apsolutno]</title>
<description >Saturday, June 3 20:30 - 20:50
In this video piece, Association Apsolutno presents the view of the Balkans from the outside as a view which is not direct, but rather mediated through a filter of technology and media representations, based on various assumptions.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:38+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >16764842</dcterms:extent>
<dcterms:temporal >00:06:42</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/BQRFQZDVUV7FLP5BAICDPQTOSJZYGKLJ</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Transfer_Apsolutno.ogg|16764842|b18d0c0a6fcf0b500f7064218806c818|</v2v:link>
<v2v:link type="magnet" >magnet:?dn=v2v_wdk_Transfer_Apsolutno.ogg&amp;amp;xt=urn%3Asha1%3ABQRFQZDVUV7FLP5BAICDPQTOSJZYGKLJ</v2v:link>
<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Transfer_Apsolutno.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="APKVRFKU4CQYW4YJL2VRZAPQOM6RAVFY"><title >Timescapes [Angela Melitopolous]</title>
<description >Saturday, June 3 20:00 - 20:20
Timescapes/B-Zone (Becoming Europe Zone) is a collaborative, non-linear video editing project investigating techniques of narration against the power politics of the segmentation of memory and communication located in a (post-) war zone where state politics concerning migration and mobility are thought of as warfare.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:37+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >58947739</dcterms:extent>
<dcterms:temporal >00:35:35</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/APKVRFKU4CQYW4YJL2VRZAPQOM6RAVFY</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Timescapes_Angela_Melitopolous.ogg|58947739|fb4f553045272732eb33610ca5833a75|</v2v:link>
<v2v:link type="magnet" >magnet:?dn=v2v_wdk_Timescapes_Angela_Melitopolous.ogg&amp;amp;xt=urn%3Asha1%3AAPKVRFKU4CQYW4YJL2VRZAPQOM6RAVFY</v2v:link>
<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Timescapes_Angela_Melitopolous.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="VPROIFK2BLXOVSBM56WLTWHBYYKTNXBG"><title >Throne of Blood - moving forest [Shu Lea Cheang]</title>
<description >Saturday, June 3 19:30 - 19:50
Kurosawa&#039;s &quot;Throne of Blood&quot; (1957) based on Macbeth was originally titled
&quot;SpiderWeb Castle&quot; - tales of ambition ridden lord Washizu (played by 
Toshiro Mifune) and his vicious lady (played by Isuzu Yamada) set in 
medieval Japan.
Lord Washizu was driven to his downfall following an encounter with a 
witch in the SpiderWeb forest.

&quot; You will never lose a single battle,
unless the spider web forest begins to move
and approaches the castle.&quot;
advises the witch to the bewildered Washizu.

What follows is the classical plot of betrayal schemes that lead to the
final insurgence of Washizu&#039;s own archers while the revenging troops 
marching with tree branches as camouflage towards the castle.

Take off from the final scene of &quot;Throne of Blood&quot;,I propose a project
&quot;moving forest&quot; . The SpiderWeb forest transformed into the deep web
forest. The revolt arrives from within. The central power is the imaginary
one. The oppositon is AMONG us. The central is AMONG us. Moving forest of 
today is a forest of wifi transmitter fed on public wireless, moving 
within the city jungle towards a power deprived central.  Moving
forest is to be developed as a
(global)citywide wifi mobile operatic manoeuver sound event,
orchestrated yet asynchronized.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:36+00:00</dc:date>
<dc:language ></dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >77786930</dcterms:extent>
<dcterms:temporal >00:33:54</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/VPROIFK2BLXOVSBM56WLTWHBYYKTNXBG</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Throne_of_Blood_Shu_Lea_Cheang.ogg|77786930|0926e0c5690694e69c95889ccbc0f2f6|</v2v:link>
<v2v:link type="magnet" >magnet:?dn=v2v_wdk_Throne_of_Blood_Shu_Lea_Cheang.ogg&amp;amp;xt=urn%3Asha1%3AVPROIFK2BLXOVSBM56WLTWHBYYKTNXBG</v2v:link>
<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Throne_of_Blood_Shu_Lea_Cheang.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="UD2AAQNFBLOXWGF6HFPBSSBNKCSVFXA3"><title >Theatre of Operations [Celine Condorelli]</title>
<description >Saturday, June 3 19:00 - 19:20
Proposal for a theatre of operations for the dictionary of war. Drawing package, references, materials.
&quot;It was recognized that the chronologic development of these elements would vary from theater to theater. In theaters where a long buildup period was possible, a fairly elaborate system of communications zone sections or bases would develop well in advance of the rest of the theater elements.&quot;</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:35+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >25383928</dcterms:extent>
<dcterms:temporal >00:13:43</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/UD2AAQNFBLOXWGF6HFPBSSBNKCSVFXA3</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Theatre_of_Operations_Celine_Condorelli.ogg|25383928|45bf0d6b84809ea4db2d27cb4dd00789|</v2v:link>
<v2v:link type="magnet" >magnet:?dn=v2v_wdk_Theatre_of_Operations_Celine_Condorelli.ogg&amp;amp;xt=urn%3Asha1%3AUD2AAQNFBLOXWGF6HFPBSSBNKCSVFXA3</v2v:link>
<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Theatre_of_Operations_Celine_Condorelli.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="CXV6C6K5KGTGMLYSYPMBNX4KBGTBELMH"><title >Struggle for Ideas [Jan Ritsema]</title>
<description >Saturday, June 3 18:30 - 18:50</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:34+00:00</dc:date>
<dc:language ></dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >27373994</dcterms:extent>
<dcterms:temporal >00:16:10</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/CXV6C6K5KGTGMLYSYPMBNX4KBGTBELMH</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Struggle_for_Ideas_Jan_Ritsema.ogg|27373994|9117f2c9a875ec16b0451d87bb58d6c1|</v2v:link>
<v2v:link type="magnet" >magnet:?dn=v2v_wdk_Struggle_for_Ideas_Jan_Ritsema.ogg&amp;amp;xt=urn%3Asha1%3ACXV6C6K5KGTGMLYSYPMBNX4KBGTBELMH</v2v:link>
<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Struggle_for_Ideas_Jan_Ritsema.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="TI7CJF5BH2IRVXSUO2NIOECQCY5IM5A5"><title >Sound Weapon [Battery Operated]</title>
<description >Saturday, June 3 18:00 - 18:20</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:33+00:00</dc:date>
<dc:language ></dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >65799912</dcterms:extent>
<dcterms:temporal >00:30:47</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/TI7CJF5BH2IRVXSUO2NIOECQCY5IM5A5</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Sound_Weapon_Battery_Operated.ogg|65799912|7763088b5cb346452aeb4bf53401a719|</v2v:link>
<v2v:link type="magnet" >magnet:?dn=v2v_wdk_Sound_Weapon_Battery_Operated.ogg&amp;amp;xt=urn%3Asha1%3ATI7CJF5BH2IRVXSUO2NIOECQCY5IM5A5</v2v:link>
<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Sound_Weapon_Battery_Operated.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="U3CACWOQBLHCZQTIFGNYUY7VR3AS3HDS"><title >Rhizomic Maneuver [Shimon Naveh]</title>
<description >Saturday, June 3 17:00 - 17:30
Rhizomic Maneuver is an emergent logic and form of maneuver, that divers from the traditional paradigm. Rhizomic Maneuver is based on disorder, complex geometry, a different epistemology, a different kind of learning. Unlike the industrial manoeuver which is idealistic, rhizomic maneuver is heretical.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:31+00:00</dc:date>
<dc:language ></dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >123880565</dcterms:extent>
<dcterms:temporal >00:52:07</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/U3CACWOQBLHCZQTIFGNYUY7VR3AS3HDS</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Rhizomic_Maneuver_Shimon_Naveh.ogg|123880565|ecd7d336768fe2b7d0a7eb0adc1b0e49|</v2v:link>
<v2v:link type="magnet" >magnet:?dn=v2v_wdk_Rhizomic_Maneuver_Shimon_Naveh.ogg&amp;amp;xt=urn%3Asha1%3AU3CACWOQBLHCZQTIFGNYUY7VR3AS3HDS</v2v:link>
<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Rhizomic_Maneuver_Shimon_Naveh.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="LRSYKFGY27Q2VJGXMAPKVDOMYDNJ6ZJD"><title >Relatively Calm [Mansur Jacoubi]</title>
<description >Saturday, June 3 16:30 - 16:55
&quot;Instead of calming the situation, the army shot at people for no reason... We are trying to calm the situation on both sides and I believe that we have almost succeeded. But the protesters are extremely angry. Some of their friends are dead and they are furious.&quot;
- Member of the Lebanese Parliament explaining the situation after the shooting of protesters in May 2004</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:30+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >52204005</dcterms:extent>
<dcterms:temporal >00:25:16</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/LRSYKFGY27Q2VJGXMAPKVDOMYDNJ6ZJD</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Relatively_Calm_Mansur_Jacoubi.ogg|52204005|6b9cd332d777101f5537dadcc87986e2|</v2v:link>
<v2v:link type="magnet" >magnet:?dn=v2v_wdk_Relatively_Calm_Mansur_Jacoubi.ogg&amp;amp;xt=urn%3Asha1%3ALRSYKFGY27Q2VJGXMAPKVDOMYDNJ6ZJD</v2v:link>
<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Relatively_Calm_Mansur_Jacoubi.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="E3UIGPTOQYYAUSBIUUXRQQTMKBVR36XN"><title >Pack [Hans Nieswandt]</title>
<description >Saturday, June 3 16:00 - 16:25
Es gibt einen Einsatz. Man wird irgendwo ein- und wieder ausgeflogen. Das schwere Marschgepäck muss gepackt werden. Da muss jedes Detail stimmen und jeder Handgriff sitzen, damit man später auf jeden Fall die Stellung halten kann in seinem Nest.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:29+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >38346166</dcterms:extent>
<dcterms:temporal >00:16:21</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/E3UIGPTOQYYAUSBIUUXRQQTMKBVR36XN</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Pack_Hans_Nieswandt.ogg|38346166|7287f899a9bbdba72688bab8d88385a8|</v2v:link>
<v2v:link type="magnet" >magnet:?dn=v2v_wdk_Pack_Hans_Nieswandt.ogg&amp;amp;xt=urn%3Asha1%3AE3UIGPTOQYYAUSBIUUXRQQTMKBVR36XN</v2v:link>
<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Pack_Hans_Nieswandt.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="MQWDSDMGKVVWWYEG5F4A3SIVXFKGZAW2"><title >Neutrality [John Palmesino]</title>
<description >Saturday, June 3 15:30 - 16:00
Two points seem to be particularly interesting when we think of neutrality as a mean to manage postcocolonial, ethnic, racial, gender, political, social, military, technological, cultural transitions, as a dispositf of change of the contemporary space, tuned to balance the conflictual forces that flare up in almost every human settlement. First of all, in constructing an overview of contemporary human settlements, we are thinking of a world without borders, a world whose parts have become increasingly plugged into each other, and which today is completely cordless at every turn, in which we have migrations of an endless kind almost at every point of the world. The second point is that the implementation of this borderless world is accompanied by an intermingled and entangled overlapping of logistic supply networks, buffer zones, enclaves, extraterritorial bases. Wherever these transitions are occurring, new principles have been theorised to examine the nature of war and contemporary transformation processes. Today, not to have a policy, not to stand for something, not to take part, not to participate, to be a-political is becoming more and more a difficult, contrasted, almost immoral condition. Yet it might be in these very difficulties that to be neutral acquires a novel significance.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:27+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >41777084</dcterms:extent>
<dcterms:temporal >00:22:16</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/MQWDSDMGKVVWWYEG5F4A3SIVXFKGZAW2</link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Neutrality_John_Palmesino.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="YA33MLKAMVFZ75BQY37FZOCLELNDUWPR"><title >NATO [Srdjan Jovanovic Weiss + Katherine Carl]</title>
<description >Saturday, June 3 15:00 - 15:30
On NATO&#039;s misunderstanding of cultural history and its effects on the decision to bomb certain buildings in Belgrade.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:25+00:00</dc:date>
<dc:language ></dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >59038685</dcterms:extent>
<dcterms:temporal >00:37:55</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/YA33MLKAMVFZ75BQY37FZOCLELNDUWPR</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_NATO_Srdjan_Jovanovic_Weiss_+_Katherine_Carl.ogg|59038685|801cd7a39ac311970dae0feef017607f|</v2v:link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_NATO_Srdjan_Jovanovic_Weiss_+_Katherine_Carl.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="6I4TGVQIBIU2LLKEYVYFVPNCPXWHPIJH"><title >Manhood [Willem de Rooij]</title>
<description >Saturday, June 3 14:30 - 15:00
&quot;Representing manhood in the American war against terror: Pat Tillman and Scott Helvenston&quot;: Both Tillman and Helvenston played out traditional masculine roles in American public life before enlisting for combat in Afghanistan and Iraq. The events that followed would colour the personas they had constructed earlier.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:24+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >72389337</dcterms:extent>
<dcterms:temporal >00:38:24</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/6I4TGVQIBIU2LLKEYVYFVPNCPXWHPIJH</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Manhood_Willem_de_Rooij.ogg|72389337|dba26ab7debd39ac22f0aa1d6ecdcde9|</v2v:link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Manhood_Willem_de_Rooij.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="2DQ246CG2WLIEHC3RTAAFKQJVCLDYL2I"><title >Mine [Thomas Plischke + Kattrin Deufert]</title>
<description >Friday, June 2 21:00 - 21:20
The video proposes a sensual study on the fragmented self. The I as container can not contain itself. Selfcontainment is an unfinishable process of oneself being there for the first time and placing yourself and being placed in a constructed historical order. If I was you who were you then? The video is based on Gherasim Luca&#039;s &quot;The Inventor of Love&quot;.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:23+00:00</dc:date>
<dc:language ></dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >30121636</dcterms:extent>
<dcterms:temporal >00:13:01</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/2DQ246CG2WLIEHC3RTAAFKQJVCLDYL2I</link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Mine_Thomas_Plischke_+_Kattrin_Deufert.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="EM7V6GOFTDUAMMI6KL2TNHCGFU7EFDMU"><title >Luftraum [Christof Kurzmann]</title>
<description >Friday, June 2 20:30 - 21:00
when the iraq war started i made a composition called &quot;the air between&quot;. a work about powerlessness. now, quite some time later, and with the images of the war distributed by cnn, bbc, ... i examine what&#039;s left of the emotions. how do i/we remember?</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:22+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >27809658</dcterms:extent>
<dcterms:temporal >00:12:13</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/EM7V6GOFTDUAMMI6KL2TNHCGFU7EFDMU</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Luftraum_Christof_Kurzmann.ogg|27809658|7204d2aed53f92d251bcd21e7a62cec3|</v2v:link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Luftraum_Christof_Kurzmann.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="XXG2H4TQV4CFNMFZYUHJQDCYPQU4IFKG"><title >Life Support [Carl Michael von Hausswolff + Thomas Nordanstad]</title>
<description >Friday, June 2 20:00 - 20:25</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:21+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >13430816</dcterms:extent>
<dcterms:temporal >00:13:48</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/XXG2H4TQV4CFNMFZYUHJQDCYPQU4IFKG</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Life_Support_Carl_Michael_von_Hausswolff_+_Thomas_Nordanstad.ogg|13430816|9237aea0a97ac019c82da745fa2a12f1|</v2v:link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Life_Support_Carl_Michael_von_Hausswolff_+_Thomas_Nordanstad.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="RU3APMQ5KVZAJ7LUNA6IFRZZXNGIJ4SQ"><title >Kriegsmaschine / War Machine [Nicolas Siepen]</title>
<description >Friday, June 2 19:30 - 20:00
A montage of two kinds of montage, two types of assembling images 
about, in between, beyond, as a war machine within the images 
themselves. A fine line between love and hate: 1. Jean Genets »Un chant 
d’amour« (A love Song) – how to make love through a wall and que(e)r it 
(smoke). 2. The Godard/Gorin/Mieville machine »Ici et Ailleure« (Here 
and Elsewhere) – how to use a two-image-assembly to ruin the war 
montage itself - are we not mature to read an Image yet? (Fascism)</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:20+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >25301777</dcterms:extent>
<dcterms:temporal >00:16:24</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/RU3APMQ5KVZAJ7LUNA6IFRZZXNGIJ4SQ</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Kriegsmaschine_Nicolas_Siepen.ogg|25301777|62f90d4f081f96626169763cf64e6ec7|</v2v:link>
<v2v:link type="magnet" >magnet:?dn=v2v_wdk_Kriegsmaschine_Nicolas_Siepen.ogg&amp;amp;xt=urn%3Asha1%3ARU3APMQ5KVZAJ7LUNA6IFRZZXNGIJ4SQ</v2v:link>
<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Kriegsmaschine_Nicolas_Siepen.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="M26SPDJH5VUZNOXKAIPGL2XFMBKWGBII"><title >Feathermen [Azza El-Hassan]</title>
<description >Friday, June 2 18:30 - 19:00</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:18+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >55024643</dcterms:extent>
<dcterms:temporal >00:25:20</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/M26SPDJH5VUZNOXKAIPGL2XFMBKWGBII</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Feathermen_Azza_El-Hassan.ogg|55024643|6acd7889e09f57dadf8ac6c1ad166cee|</v2v:link>
<v2v:link type="magnet" >magnet:?dn=v2v_wdk_Feathermen_Azza_El-Hassan.ogg&amp;amp;xt=urn%3Asha1%3AM26SPDJH5VUZNOXKAIPGL2XFMBKWGBII</v2v:link>
<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Feathermen_Azza_El-Hassan.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="243HDK3WD2CRGXM6IVI3GC52VUGUCUD7"><title >Denkfabrik/Think Tank [Dan Perjovschi]</title>
<description >Friday, June 2 18:00 - 18:05
=/°\</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:17+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >12549671</dcterms:extent>
<dcterms:temporal >00:05:43</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/243HDK3WD2CRGXM6IVI3GC52VUGUCUD7</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Denkfabrik_ThinkTank_Dan_Perjovschi.ogg|12549671|f9f6889bd398bc6d3025ed8a67cf4865|</v2v:link>
<v2v:link type="magnet" >magnet:?dn=v2v_wdk_Denkfabrik_ThinkTank_Dan_Perjovschi.ogg&amp;amp;xt=urn%3Asha1%3A243HDK3WD2CRGXM6IVI3GC52VUGUCUD7</v2v:link>
<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Denkfabrik_ThinkTank_Dan_Perjovschi.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="FZFYY2ZASISYHEHSNZMCLEAUQIB6OLAX"><title >Conflicted/Inflicted [Susan Schuppli]</title>
<description >Friday, June 2 17:30 - 17:55
&quot;Conflicted/Inflicted&quot; is a video based upon a found telephone answering machine tape belonging to someone named Linda. As we listen to the audio, the crisis and tensions in her life are slowly revealed.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:16+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >43833685</dcterms:extent>
<dcterms:temporal >00:20:50</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/FZFYY2ZASISYHEHSNZMCLEAUQIB6OLAX</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Conflicted_Inflicted_Susan_Schuppli.ogg|43833685|8846c3d7b1be871bdaf1fbff13786116|</v2v:link>
<v2v:link type="magnet" >magnet:?dn=v2v_wdk_Conflicted_Inflicted_Susan_Schuppli.ogg&amp;amp;xt=urn%3Asha1%3AFZFYY2ZASISYHEHSNZMCLEAUQIB6OLAX</v2v:link>
<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Conflicted_Inflicted_Susan_Schuppli.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="AIQLHMSAWPGO3QDSTYMOI25GS7PANSSW"><title >Comrade [International Festival]</title>
<description >Friday, June 2 17:00 - 17:15
I declare war on damaged hair and split-ends.
Victory! Because I&#039;m worth it.
- Kate Moss for L&#039;Oreal</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T22:15+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >29153873</dcterms:extent>
<dcterms:temporal >00:11:34</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/AIQLHMSAWPGO3QDSTYMOI25GS7PANSSW</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Comrade_International_Festival.ogg|29153873|1f8d41bc706df2ff35a33d0bddd3d7fa|</v2v:link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Comrade_International_Festival.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="EKKTTDLRCELJQ66HJ2GU36RPV7IJFV7E"><title >Arms Race, Architectural [Ines Weizman]</title>
<description >Friday, June 2 16:30 - 16:55
An architectural arms race is a competition between two or more countries for supremacy through the means of architecture and urbanism. Each party competes to produce architectural imagery or concrete built form to achieve a relative gain over the other. Such gain could be accounted for either symbolically, or physically interfering with urban practices in the country of the opponent.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T21:58+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >43985768</dcterms:extent>
<dcterms:temporal >00:24:54</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/EKKTTDLRCELJQ66HJ2GU36RPV7IJFV7E</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Arms_Race,_Architectural_Ines_Weizman.ogg|43985768|4547d0eb255d1baee66a573f95c597df|</v2v:link>
<v2v:link type="magnet" >magnet:?dn=v2v_wdk_Arms_Race%2C_Architectural_Ines_Weizman.ogg&amp;amp;xt=urn%3Asha1%3AEKKTTDLRCELJQ66HJ2GU36RPV7IJFV7E</v2v:link>
<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Arms_Race,_Architectural_Ines_Weizman.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="RZVXKQVGE22HCRTGJ5UFC7EWN77HFNIT"><title >Exergue [Irit Rogoff]</title>
<description >Friday, June 2 16:00 - 16:15</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-05T21:44+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >DICTIONARY OF WAR</v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://dictionaryofwar.org</v2v:makerurl>
<dcterms:extent >35729332</dcterms:extent>
<dcterms:temporal >00:17:19</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/RZVXKQVGE22HCRTGJ5UFC7EWN77HFNIT</link>
<v2v:link type="ed2k" >ed2k://|file|v2v_wdk_Exergue_Irit_Rogoff.ogg|35729332|67b7014497ed82db0b8b77ba262370e1|</v2v:link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Exergue_Irit_Rogoff.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
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    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="4QGJ2WMWPK77DDLBX6H7SW62MSHNYKD5"><title >Rog - Smo zacasni / We are temporary</title>
<description >Saturday 25th of March 2006 marked the start of the initiative to open the abandoned bicycle factory Rog for temporary use, with the intent to carry out non-profit, non-established activities on its premises. It is not a classic occupation of space, but a temporary alteration of its purposes. The 7000 square meter large factory - owned by the City of Ljubljana (MOL) - has already been left to decay for 15 years. As long as MOL doesn&#039;t develop and begin implementing a clear strategy to solve the problem of these empty premises, we self-initiatively wish to open it to all individuals and groups engaged in the non-profit sector, for the realization of independent production of cultural and social content.

Rog - Smo zacasni / We are temporary is a documentary made by the temporary users of the factory Rog premises.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-06-02T16:54+00:00</dc:date>
<dc:language ></dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker ></v2v:maker>
<v2v:makeremail ></v2v:makeremail>
<v2v:makerurl >http://tovarna.org/</v2v:makerurl>
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<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="HROW5NHB7BA2JS27EEBOA666JBGUCZCU"><title >Shigeru Ban Talks in Stockholm</title>
<description >&quot;Even in disaster areas, I want to create beautiful buildings,this is what it means to build a monument for common people&quot;
Shigeru Ban gives in this talk at the Museum of Architecture in Stockholm an overview of his practice and his interest in specific materials and extraordinary conditions for architectural creation. 
Shigeru Ban is one of the central characters in architecture today due is specific relation to material and innovative approach to residential areas and humanitarian projects. 
Shigeru Ban offers in this lecture a context to his contributions to architecture through the use of unconventional building materials still achieving formal elegance and economical efficiency. 
See further http://en.wikipedia.org/wiki/Shigeru_Ban.
International Festival proudly presents the first downloadable lecture out of many which will be collected on v2v sites as well as on www.international-festival.org and www.thetheatre.eu</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-05-19T18:15+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >International Festival</v2v:maker>
<v2v:makeremail >everybody@international-festival.org</v2v:makeremail>
<v2v:makerurl >http://www.international-festival.org</v2v:makerurl>
<dcterms:extent >99837915</dcterms:extent>
<dcterms:temporal >01:14:48</dcterms:temporal>
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<link >http://borderlineacademy.org/v2v/show/HROW5NHB7BA2JS27EEBOA666JBGUCZCU</link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/shigeru_ban.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="VO54ZSHI4DQZHPEVHOUIQBO35SGVRDX3"><title >Contre-feux 5 - Communiqué viseul 5</title>
<description >FOR THE SUPPORT OF THE 9EME COLLECTIF DES SANS-PAPIERS
FOR THE IMMEDIATE LIBERATION OF LASSANA C. AND NIAME D.,
FOR THE WITHDRAWAL OF THE BILL ON IMMIGRATION (CESEDA), AND OF THE CIRCULAR OF FEBRUARY 21, 2006, FOR THE IMMEDIATE HALT OF THE RAIDS, 

AND PEOPLE SAYS NO PRODUCTION
Presents
CONTRE-FEUX (A visual communiqué 5)
Realised by Lars Ivy GOGEEN (S1G)

Lassana C., Niame D., are currently in a detention center. What is their fault ? To be foreigners. To be without papers.
Their ARREST on the spot of their dwelling makes sign towards the most absolute arbitrary and informs us about the state of our &quot;democracies&quot; :   Raids, emergency state, covers fire, development of a new bill (CESEDA), diffusion of a circular on February 21, 2006 for better stopping the people of foreign origin... 

This film tries to show and denounce the logics which underlie these policies : to foreigners is reserved the sempiternal posture of the SCAPEGOAT.  The fact that the popular and average classes are impoverished tirelessly, that employment becomes a rare good and that unemployment marks with red iron the whole of the generations, that the richnesses are not redistributed any more to the greatest number...,  would be ascribable to an immigration allegedly &quot;undergone&quot;. By making immigration and people without-papers an ELECTORAL STAKE of first scale, the government does nothing but divert and distract the French population from major problems and which engage its becoming.  A war is thus carried out. A social war. A racial war. It does not save and will not save anybody. Everyone is concerned. This film calls the population to fight against these iniquitous policies and claims the liberation of the two prisoners.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-05-02T00:59+00:00</dc:date>
<dc:language ></dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >Lars Ivy GOGEEN</v2v:maker>
<v2v:makeremail >sgg@no-log.org</v2v:makeremail>
<v2v:makerurl >http://pajol.eu.org</v2v:makerurl>
<dcterms:extent >93161024</dcterms:extent>
<dcterms:temporal >00:17:18</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/VO54ZSHI4DQZHPEVHOUIQBO35SGVRDX3</link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/contrefeux5.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="BYZRLK5S5VN6564QSNA2I7GLOXKBQCGR"><title >De-regulation: Kutlug Ataman and Irit Rogoff in conversation</title>
<description >The video shows a slightly edited recording of the conversation between the theorist Irit Rogoff and the artist Kutlug Ataman. It was held at the occasion of the opening of the exhibition curated by Rogoff &quot;De-regulation with the work of Kutlug Ataman&quot; which is shown in MUHKA Antwerp, from March 16 till May 28 2006.

The exhibition project brings together a body of work by the contemporary Istanbul/London based Turkish artist, Kutlug Ataman including 7 multiple and single screen installations by Ataman: Never My Soul, Vicious Circle, Twelve, 1 + 1 = 1, TV Room, Martin is Asleep, and Women Who Wear Wigs. This is the first time a range of works by this innovative artist have been assembled together in continental Europe. 

The exhibition created an open field which collates many materials; a  visual essay by the German artist and theorist Stefan Roemer, Istanbul based theorist Nermin Saybasili has gathered together an archive of wedding culture among the many different ethnic groups in the city, while London based academic and conceptualiser of the exhibition Irit Rogoff has assembled film posters from Turkey’s rich film culture and numerous images of Ataturk, which are a prevalent feature of the Istanbul urban landscape.</description>
<dcterms:alternative ></dcterms:alternative>
<dc:date >2006-04-09T09:20+00:00</dc:date>
<dc:language >en</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >KEIN.TV</v2v:maker>
<v2v:makeremail >info@kein.org</v2v:makeremail>
<v2v:makerurl >http://www.de-regulation.org</v2v:makerurl>
<dcterms:extent >87149101</dcterms:extent>
<dcterms:temporal >00:46:55</dcterms:temporal>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/v2v_de-regulation.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="B4J3IV6VRXX54WHI7RXK34G655VU36XF"><title >Sortis de l&#039;ombre</title>
<description >The tightening of immigration laws in France created in 1996 the movement of the &quot;sans-papiers&quot;. With spectacular actions and a startling series of church occupations they called attention to the precarious situation of illegalized migrants: &quot;Des papiers pour tous!&quot; Papers for all was the slogan of a movement that spread rapidly all across europe. 

The film tries to review the situation three years after the brutal eviction of the first collective of &quot;sans papiers&quot; from the church St. Bernard in the north of Paris in summer 1996. It features former speakers of the sans papiers  like Madjiguène Cissé, Traore Gaousson, Ababacar Diop and Kamara Hamady who recall the making of the movement - alongside interviews with Guy Laveuve, one of the priests of St. Bernard, Monique Chemillier-Gendreau, professor for international law and member of the „College des Mediateurs&quot;, as well as Ariane Mnouchkine, director of „Théatre du Soleil&quot;, who supported the sans paiers movement from the very beginning.

The film was part of the arte theme evening: &quot;no one is illegal&quot; broadcasted in 1999.</description>
<dcterms:alternative >L&#039;eglise de St. Bernard et la lutte des sans papiers</dcterms:alternative>
<dc:date >2006-04-08T00:55+00:00</dc:date>
<dc:language >fr</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >Jochen Kraus und Florian Schneider</v2v:maker>
<v2v:makeremail >info@kein.org</v2v:makeremail>
<v2v:makerurl >http://kein.org</v2v:makerurl>
<dcterms:extent >271988037</dcterms:extent>
<dcterms:temporal >01:06:14</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/B4J3IV6VRXX54WHI7RXK34G655VU36XF</link>
<v2v:link type="ed2k" >ed2k://|file|sortie.ogg|271988037|adcdcf6e16a546643de2ac94194aa625|</v2v:link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/sortie.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="T7E4MJWWYC7OCFMKMOR37U7M5X6PNGBQ"><title >Contre-feux 2</title>
<description >The film tries to show how the new law project about immigration, that has been presented Thursday 9 February 2006 by the French minister, Nicolas Sarkozy, is a war machine against the foreigners. A machine that DESTROY existence (Family, health, solidarity…), and a machine that PRODUCE people without papers, slaves of the shadow. Immigration and people without paper are treated like an ELECTORAL STAKE by the French government and an entertainment for the French population : this last one don’t think about its dramatic issues (unemployment, retired pensions, etc.) and the government can make profit for a minority of people. It is a WAR. A war without mercy against the sharp forces of the country. A social war. A racial war. Everybody is concerned. Both films want to call the population to fight these kind of manipulations.</description>
<dcterms:alternative >Communiqué visuel 2</dcterms:alternative>
<dc:date >2006-03-17T15:34+00:00</dc:date>
<dc:language >fr</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >Sylvain George</v2v:maker>
<v2v:makeremail >sylvain.george@club-internet.fr</v2v:makeremail>
<v2v:makerurl >http://pajol.eu.org/</v2v:makerurl>
<dcterms:extent >175071253</dcterms:extent>
<dcterms:temporal >00:24:47</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/T7E4MJWWYC7OCFMKMOR37U7M5X6PNGBQ</link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/Contre-feux2.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="T42W5BIJSNZ27OGKDW2CNH7ZZGZA2BRE"><title >Contre-feux 1</title>
<description >The film tries to show how the new law project about immigration, that has been presented Thursday 9 February 2006 by the French minister, Nicolas Sarkozy, is a war machine against the foreigners. A machine that DESTROY existence (Family, health, solidarity…), and a machine that PRODUCE people without papers, slaves of the shadow. Immigration and people without paper are treated like an ELECTORAL STAKE by the French government and an entertainment for the French population : this last one don’t think about its dramatic issues (unemployment, retired pensions, etc.) and the government can make profit for a minority of people. It is a WAR. A war without mercy against the sharp forces of the country. A social war. A racial war. Everybody is concerned. Both films want to call the population to fight these kind of manipulations. 
NOW!</description>
<dcterms:alternative >Communiqué visuel 1</dcterms:alternative>
<dc:date >2006-03-17T15:27+00:00</dc:date>
<dc:language >fr</dc:language>
<v2v:year >2006</v2v:year>
<v2v:maker >Sylvain George</v2v:maker>
<v2v:makeremail >sylvain.george@club-internet.fr</v2v:makeremail>
<v2v:makerurl >http://pajol.eu.org/</v2v:makerurl>
<dcterms:extent >11407504</dcterms:extent>
<dcterms:temporal >00:10:43</dcterms:temporal>
<dc:format >Ogg Theora</dc:format>
<link >http://borderlineacademy.org/v2v/show/T42W5BIJSNZ27OGKDW2CNH7ZZGZA2BRE</link>
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<v2v:link type="torrent" >http://borderlineacademy.org/files/ba/torrents/Contre-feux.torrent</v2v:link>
<dc:rights >This work is licensed under the Creative Commons
    Attribution-NonCommercial-ShareAlike License.
    To view a copy of this license, visit
    http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to 
    Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.</dc:rights>
</item><item rdf:about="R4VZPEOUGFXWTQJSALNN6ZWR7ET32SQP"><title >BADco. at International Festival &quot;The Theatre&quot; Stockholm 3-5 February 2006</title>
<description >International Festival “The Theatre” takes as a series of departure points for the realization of the project – to develop and build a full-scale theatre on the basis of a budget conventionally issued for a theatre/dance performance - during Steirischer Herbst 2007 a number of seminars. These seminars are to be held on a quarterly basis in different cities in Europe, inviting old and new guest for discussions and processes. At each seminar a public session will be held where the invited guests give presentations of their own work, practically and theoretically. Some of the presentations will be given specific weight to the project itself, others will be concerned with local projects or with more general issues concerning performance and architecture in its widest possible meaning. 
The first seminar was given at the art space Tensta Konsthall in Stockholm 3-5 February 2006.  

Nicolina and Sergej Pristas opens in this presentation for a number of contemporary strategies of performance. In the work of BADco., a collaborative performance team based in Zagreb, modes of information flow and spatio-temporal conditions are investigated in ways where the dialectics of critique is phased to comprise an affectual opportun