FADAIAT*// BORDERLINE ACADEMY

Tarifa is a small city in the very south of Spain. Ten kilometers of sandy beach, fresh winds and a medieval city center attract a multitude of travellers: Surfers, tourists looking for recreation as well as all sorts of transients from the northern parts of Europe. But that's not all: All the year, but especially around midsummer, at night hundreds of people go the other way around. They come from the Maghreb or subsaharian countries and they are heading northwards by crossing the Straits of Gibraltar by boat and without papers.

Oksana Bulgakowa: On Eisensteins Que viva Mexico

Oksana Bulgakowa: On Eisensteins Que viva Mexico"Que viva Mexico!", is the film Eisenstein came to shoot in Mexico, and he would tragically be excluded from editing it. The film's hybrid images depict Mexican life as a simultaneity of past and present.


Marwan Fayed: Legalising an Urban Tumour

Kharita 01: Symposium on Urban Trajectories in Cairo
Saturday, January 17th, 2009
Marwan Fayed proposes alternative approaches to conventional urban design practices. In Fayed’s interventions, function is not dictated by design, but rather, is ascribed by city inhabitants who constantly reprogram the use of public space. Based on observations of public behaviour, his site-specific applications lend themselves adaptable to the spontaneity of a constantly mutating landscape.


Markus ElKatsha: The Return of Mixed-Use Spaces

Kharita 01: Symposium on Urban Trajectories in Cairo
Saturday, January 17th, 2009

Mixed-use communities have been a traditional mode of urban habitation. Cairo's historic core is exemplary of such pedestrian environs. In the nineteenth century precincts of the city, people moved on foot, depending sometimes on horses and cattle for the circulation of goods. They resided in buildings that provided space for both domestic life and economic activity.


Joseph Schechla: Housing Rights and the New Urbanism

Kharita 01: Symposium on Urban Trajectories in Cairo
Saturday, January 17th, 2009

The “new development paradigm,” integrating at once technical and human rights criteria, is not very new. The long development of human rights norms pertaining to adequate housing and corresponding state obligations dates back some 40 years. What urban technicians in both private and public sectors may discover as new in those norms is their relevance to project implementation.


Marion von Osten: The Colonial Modern. Planning, Segregation and Urban Apartheid

Kharita 01: Symposium on Urban Trajectories in Cairo
Friday, January 16th, 2009
In the nineteenth century, French colonial city planning set up trade and industry ports all over the world. After the Second World War, this expansionist strategy drastically changed and, with liberation struggles against French colonial rule, it finally ended. Establishing a Fordist consumer society in the colonies and in Europe was a major goal of the colonial project, which, as Franz Fanon pointed out, had clear economic incentives.


Omar Nagati: Competing Urban Orders in Cairo: A Historical Perspective

Kharita 01: Symposium on Urban Trajectories in Cairo
Friday, January 16th, 2009
For the last three decades, Cairo has been a battleground for competing urban orders manifest in incoherent planning policies, and often conflicting practices in public space. This presentation offers a historical perspective to the city’s long urban struggle, situating contemporary conditions within recurrent spatial and discursive paradigms of conflict and reconciliation.


Eric Denis: Cairo Reversed, Values and Spaces

Kharita 01: Symposium on Urban Trajectories in Cairo
Friday, January 16th, 2009
The process of inhabiting the desert transgresses a fundamental interdiction of settlement. Market expansion and real estate construction has succeeded in invading a void, which had thus far resisted occupation. This achievement is a strong indication of the leverage of private development. Open to the world, the elite can afford to transcend their local boundaries and domesticate this hostile environment. But this privilege is not simply based on material and financial resources.


Wir sind keine Schöpfer

Interview with Jean-Marie Straub and Danièle Huillet by Rembert Hüser, Robert Bramkamp and Hubertus Müll, november 1988, Münster. The filmmakers talk about the making of "Der Tod des Empedokles", questions of different text editions, the search for film locations, orchestration, usage of language and working with strata and geologie. Production and broadcast: Einer Keiner Hundertausend, Nr. 1. Kulturmagazin der Filmerkstätten NRW / Kanal4.


Simon Yuill Lecture - Part 2 of 3

Conference Verbindingen / Jonctions - 10
***
Artist and programmer based in Glasgow, Scotland. He is a developer in the spring_alpha and Social Versioning System (SVS) projects. He has helped setup and run a number of hacklab and free media labs in Scotland including the Chateau Institute of Technology (ChIT) and Electron Club, as well as the Glasgow branch of OpenLab. He has written on aspects of Free Software and cultural praxis and has contributed to publications such as Software Studies (MIT Press, 2008), the FLOSS Manuals and Digital Artists Handbook project (GOTO10 and Folly).


Syndicate content